Up close and personal
Elegant nature wall decor
A$175.00
Bring the beauty of nature into your space with this stunning art print featuring a wild lyrebird in its natural habitat captured on a wide angle lens. The lyrebird scratches his head, while sitting on the branch in the sunlit forest. This print captures the essence of the bird's behaviour making it a perfect addition to any home or office for bird lovers and nature enthusiasts alike.
Not every photograph needs to be rare to be worth having on your wall.
These are the same photographs — printed on the same archival papers and finished with the same care as anything in the limited collection. Canson Platine, Canson Photographique, Metallic, right through to acrylic mounts if you want that gallery look. There's just no cap on how many exist, no edition number, no certificate. That's not a lesser version of the work — it just means nobody has to compete for a spot in a shrinking edition, or pay a scarcity premium, to own a genuine, exhibition-quality print from an award-winning body of work.
I want these photographs to actually live on people's walls, not sit out of reach. That's what this collection is for — real prints, real materials, at a price that doesn't ask you to think of it as an investment before you can enjoy it as a photograph.
Print Only: Framing is not included
Acrylic: Concealed Floating Frame Included.
Satin - Canson Platine 310gsm
A 100% cotton rag paper with a heritage in traditional platinum printing, reborn for digital. Its satin finish sits right between matte and gloss, giving prints a subtle, elegant sheen without any glare. Platine is prized for its exceptional depth in the blacks and a remarkably wide tonal range, which suits both colour and black-and-white work equally well. Museum-grade and archival - the choice for a print meant to last generations.
Matte - Canson Photographique 310gsm
Also 100% cotton rag and archival to the same museum standard as Platine, but fully matte, with an ultra-smooth, almost soft-to-the-touch surface. There's no reflection at all, so the image reads true from any angle or light in the room. Despite the matte surface, it still holds impressively deep blacks. This is the quieter, more contemplative option - well suited to softer light and misty, muted scenes.
Metallic 260gsm
A resin-based paper with a pearlescent base beneath the image, which gives prints a subtle shimmer and a sense of depth that borders on three-dimensional. Colour saturation and contrast are noticeably punchier than on the fine art papers above, making water, ice, golden light and sunset tones especially vivid. It's the most dramatic and contemporary of the three finishes - a strong choice for bold, high-impact wildlife and landscape shots, though its character is closer to "photograph" than "fine art paper."
Acrylic face mount
The print is sealed behind a thick sheet of crystal-clear acrylic, with no separate backing panel - the acrylic itself provides the rigidity. This is the cleanest, most minimal presentation: the image appears to float just beneath glass, with striking clarity and depth. Best suited to small and medium sizes, where the acrylic alone is sturdy enough to hang flat and true.
Acrylic face mount with Dibond back
The same glass-like acrylic finish, backed by Dibond - an aluminium composite panel prized for being both feather-light and completely rigid. It stays perfectly flat at the largest sizes and won't warp or bow over time. This is the premium, museum-standard construction, and the right choice for statement pieces and the top tier of a limited edition.
Acrylic face mount with PVC back
The same acrylic-glass presentation, backed instead by a rigid PVC panel. It's lighter and more affordable than Dibond while still giving a fully rigid, ready-to-hang piece. A great middle ground for small-to-medium prints where you want the acrylic look without stepping up to the Dibond price point.
Aluminuim ChomaLuxe panel
A dye-sublimation metal print - the image is fused directly into the aluminium surface itself rather than printed on paper, for a seamless, ultra-durable finish with striking colour depth and glowing highlights. Frameless and ready to hang, it's scratch- and moisture-resistant by nature. The most contemporary and low-maintenance of all the finishes on offer.
We don't have stock lying around in a warehouse. Your order is custom-made from scratch to your exact specifications, so please allow up to 2 weeks for the production time.
If you need a custom size, please get in touch.
Satin - Canson Platine 310gsm
A 100% cotton rag paper with a heritage in traditional platinum printing, reborn for digital. Its satin finish sits right between matte and gloss, giving prints a subtle, elegant sheen without any glare. Platine is prized for its exceptional depth in the blacks and a remarkably wide tonal range, which suits both colour and black-and-white work equally well. Museum-grade and archival - the choice for a print meant to last generations.
Paper Options


Metallic 260gsm
A resin-based paper with a pearlescent base beneath the image, which gives prints a subtle shimmer and a sense of depth that borders on three-dimensional. Colour saturation and contrast are noticeably punchier than on the fine art papers above, making water, ice, golden light and sunset tones especially vivid. It's the most dramatic and contemporary of the three finishes - a strong choice for bold, high-impact wildlife and landscape shots, though its character is closer to "photograph" than "fine art paper."


Matte - Canson Photographique 310gsm
Also 100% cotton rag and archival to the same museum standard as Platine, but fully matte, with an ultra-smooth, almost soft-to-the-touch surface. There's no reflection at all, so the image reads true from any angle or light in the room. Despite the matte surface, it still holds impressively deep blacks. This is the quieter, more contemplative option - well suited to softer light and misty, muted scenes.


Acrylic face mount
The print is sealed behind a thick sheet of crystal-clear acrylic, with no separate backing panel - the acrylic itself provides the rigidity. This is the cleanest, most minimal presentation: the image appears to float just beneath glass, with striking clarity and depth. Best suited to small and medium sizes, where the acrylic alone is sturdy enough to hang flat and true.
Mount Options


Acrylic face mount with Dibond back
The same glass-like acrylic finish, backed by Dibond - an aluminium composite panel prized for being both feather-light and completely rigid. It stays perfectly flat at the largest sizes and won't warp or bow over time. This is the premium, museum-standard construction, and the right choice for statement pieces and the top tier of a limited edition.


Acrylic face mount with PVC back
The same acrylic-glass presentation, backed instead by a rigid PVC panel. It's lighter and more affordable than Dibond while still giving a fully rigid, ready-to-hang piece. A great middle ground for small-to-medium prints where you want the acrylic look without stepping up to the Dibond price point.


Aluminuim ChomaLuxe panel
A dye-sublimation metal print - the image is fused directly into the aluminium surface itself rather than printed on paper, for a seamless, ultra-durable finish with striking colour depth and glowing highlights. Frameless and ready to hang, it's scratch- and moisture-resistant by nature. The most contemporary and low-maintenance of all the finishes on offer.


Dedicated Support for Your Vision
For custom sizing or specific print acquisition questions, we provide prompt, professional assistance. Each inquiry receives a response within one business day.
Elmar's Art - Fine Art Prints
Unmanipulated light and museum-grade archival prints.
Inquiries
info@elmars.art
© 2026 Elmar Akhmetov.
